While transforming into a mainstream phenomenon, in modern and even contemporary western culture tattooing has been and is still widely assumed as a kind of artistic/artisanal service. Characteristic of the so-called “traditional” scene, in particular, is the idea of entering a tattoo shop located along a public street for getting scored by a more or less known tattoo practitioner a pre-made image ("flash"). In general, such bodily sign may be desired by the wearer for its aesthetic qualities and/or symbolic power, in which case it acts as a material memory of the experience (feeling or event) that it abstractly represents. Either the score is sought just as a form of adornment or for holding a meaning, in both circumstances it will always embed some reminiscence of the tattooing process and the related experience.
Observing the current state of the art, some practitioners are addressing the importance of the tattooing procedure over or in relation to the tattoo as its final outcome. Despite the differences, their works converge to a common aim: to enhance the cathartic and body-reclaiming potential of the tattooing experience through the establishment of contemporary rituals.
(“Blood Script”, Mary Coble, 2008; “Brutal Black Project”, Valerio Cancellier, Cammy Stewart, 2015 - present; “Body of Reverbs”, Michele Servadio, 2014 - present)
In view of this context, with “You: expansion of the self” SINTETICO questions whether the final outcome of the tattooing practice may be just a mark on the skin and therefore the physical memory of an experience, or the tattooing experience itself, in its mindful and introspective conception, recorded and accessible through the tattoo as a bodily interface.